Greek Texts & Translations

This is the way in which the bisons are caught. Opposite the bronze head of the bison is a statue of a man wearing a breastplate, on which is a cloak. The Delphians say that it is an offering of the Andrians, and a portrait of Andreus, their founder. The images of Apollo, Athena, and Artemis were dedicated by the Phocians from the spoils taken from the Thessalians, their enemies always, who are their neighbors except where the Epicnemidian Locrians come between.

The Thessalians too of Pharsalus dedicated an Achilles on horseback, with Patroclus running beside his horse: the Macedonians living in Dium, a city at the foot of Mount Pieria, the Apollo who has taken hold of the deer; the people of Cyrene, a Greek city in Libya, the chariot with an image of Ammon in it. The Dorians of Corinth too built a treasury, where used to be stored the gold from Lydia. ^note

The image of Heracles is a votive offering of the Thebans, sent when they had fought what is called the Sacred War against the Phocians. There are also bronze statues, which the Phocians dedicated when they had put to flight the Thessalian cavalry in the second engagement. ^note The Phliasians brought to Delphi a bronze Zeus, and with the Zeus an image of Aegina. The Mantineans of Arcadia dedicated a bronze Apollo, which stands near the treasury of the Corinthians.

Heracles and Apollo are holding on to the tripod, and are preparing to fight about it. Leto and Artemis are calming Apollo, and Athena is calming Heracles. This too is an offering of the Phocians, dedicated when Tellias of Elis led them against the Thessalians. Athena and Artemis were made by Chionis, the other images are works shared by Diyllus and Amyclaeus. They are said to be Corinthians.

The Delphians say that when Heracles the son of Amphitryon came to the oracle, the prophetess Xenocleia refused to give a response on the ground that he was guilty of the death of Iphitus. Whereupon Heracles took up the tripod and carried it out of the temple. Then the prophetess said:— Then there was another Heracles, of Tiryns, not the Canopian.
For before this the Egyptian Heracles had visited Delphi. On the occasion to which I refer the son of Amphitryon restored the tripod to Apollo, and was told by Xenocleia all he wished to know. The poets adopted the story, and sing about a fight between Heracles and Apollo for a tripod.

The Greeks in common dedicated from the spoils taken at the battle of Plataea a gold tripod set on a bronze serpent. The bronze part of the offering is still preserved, but the Phocian leaders did not leave the gold as they did the bronze.

The Tarentines sent yet another tithe to Delphi from spoils taken from the Peucetii, a non-Greek people. The offerings are the work of Onatas the Aeginetan, and Ageladas the Argive, and consist of statues of footmen and horsemen—Opis, king of the Iapygians, come to be an ally to the Peucetii. Opis is represented as killed in the fighting, and on his prostrate body stand the hero Taras and Phalanthus of Lacedaemon, near whom is a dolphin. For they say that before Phalanthus reached Italy, he suffered shipwreck in the Crisaean sea, and was brought ashore by a dolphin.

He had a daughter, by name Hemithea, and a son, called Tennes, by Procleia, who was a daughter of Clytius and a sister of Caletor. Homer in the Iliad
^note says that this Caletor, as he was putting the fire under the ship of Protesilaus, was killed by Ajax. Procleia died before Cycnus, and his second wife, Philonome, daughter of Cragasus, fell in love with Tennes. Rejected by him she falsely accused him before her husband, saying that he had made love to her, and she had rejected him. Cycnus was deceived by the trick, placed Tennes with his sister in a chest and launched it out to sea.